Select your language

How to know a microphone technically

In the two previous installments we have talked about the different elements or capsules of the microphones, where we detail the condenser and the dynamic, these being the two most important and common in the industry, but not the only thing.

Juan Tamayo*

Possibly in another installment we will talk about ribbon microphones. We also discussed the polar pattern and the different properties it possesses, including the distance factor and the relationship to gain. For this installment we will talk about more diverse topics.

Ghost Fountain
The phantom power is one of the topics that are least addressed in the studio in audio subjects, and unfortunately you do not have all the benefit that we can squeeze to that voltage that the console gives us. Some only refer to this as the +48V that a processor or a console gives us.

- Publicidad -

The phantom source is developed to be able to polarize the condenser-type capsules. Because of its electrical nature, a capacitor requires a voltage differential in order to operate. Additionally, over time this voltage is used to power a pre-amplifier into the microphones and make the voltage travel through the cable from the microphone to the console more stable. Some elements will only require +9, +24 or +48V (if powered with higher voltage you may not have problems, if powered with a lower voltage it may not work or floor noise increases). 

But those are not the only applications. Today the phantom source is also used to power active direct boxes, power remote mixers, power light-emitting diode ignition circuits or LEDs, among many other applications.

The phantom source has also been considered as the father of Power Over Ethernet or PoE, because its application is very similar and can be said to possess the same functional nature. But, dear reader, keep in mind that if you are not careful with this voltage it can affect or damage some electronic elements. 

This development is designed to travel through the positive channel and the negative channel of the balanced signal. If you connect an unbalanced item that does not have a phantom source discharge circuit such as a computer or mixer, it can seriously damage the output circuit of the audio device connected to the signal fed with the phantom source.

Frequency response
In the previous installment we talked about the listening angles of a microphone, the frequency response has to do a little with this. We can define the frequency response term as the ability to hear a microphone across the spectrum of sound frequencies.  

It is usually defined by a graph that goes from 20 Hz to 20 KHz, like the human ear, but in some microphones it is taken from 0 to 25KHz or up to 30 KHz, this is because in many cases the signal when it reaches 20 KHz has already lost 10 dB, then microphones are developed so that when they reach 20 KHz their loss is not considerable. The engineer or interested person is offered to observe the answer beyond where he can hear to study its stability.

I consider these graphics to be cold because many times they do not express how a microphone causes the captured signal to change. Many consider microphones that have a flat frequency response to be the best (they do not change the input signal). I differ from this theory, I believe that a good designer should look for the microphone that best suits the application you want to design. 

- Publicidad -

A clear example is that if a microphone is required for a teleconferencing, I must look for a microphone whose frequency response enhances the frequencies of the human voice (averages) and, for example, that attenuates the low frequencies that is where the frequencies produced by mechanical elements such as air conditioning units are located.

In this installment we talk about the phantom source and the frequency response of the microphones. If you have any questions please do it through the digital version of the magazine or you can write to me [email protected].

*Juan Tamayo is a senior application engineer for Audio-Technica Latin America, with more than 10 years of experience performing audiovisual projects as a designer, integrator, consultant, among other functions. 

Richard Santa, RAVT
Richard Santa, RAVTEmail: [email protected]
Editor
Periodista de la Universidad de Antioquia (2010), con experiencia en temas sobre tecnología y economía. Editor de las revistas TVyVideo+Radio y AVI Latinoamérica. Coordinador académico de TecnoTelevisión&Radio.


No comments

• If you're already registered, please log in first. Your email will not be published.

Leave your comment

In reply to Some User
10 April is the virtual Building Automation Days by KNX Latam

10 April is the virtual Building Automation Days by KNX Latam

Latin America. Next Thursday, April 10th, KNX Latin America invites you to attend the first virtual Building Automation Days Chile edition. Under the theme; Debunking KNX myths: Everything you need...

Hikvision presents its new Displays Website for Latam

Hikvision presents its new Displays Website for Latam

Latin America. Hikvision launched its new website for Latin America. This new portal is designed to offer detailed information on the latest innovations in screens and displays, covering multiple...

With

With "Make It Happen," Panduit Drives Digital Transformation

Latin America. In the last year, digital transformation in Latin America and according to the Think Digital Report 2023 by Inesdi Business School, Mexico leads this process in the region, with 73%...

Felipe Vasco joins Vertiv's Latin America team

Felipe Vasco joins Vertiv's Latin America team

Latin America. Felipe Vasco has been appointed as the new director of technology applications for Vertiv Latin America. In this role, he will lead dozens of professionals with multidisciplinary...

ConsorcioTec Webinar: Convergence in Audiovisual Design and IT

ConsorcioTec Webinar: Convergence in Audiovisual Design and IT

Latin America. Next Tuesday, April 8, ConsorcioTec and Carlos Salomón will present the webinar Introduction to Convergence in Audiovisual Design and IT, and The Future of Audiovisual Design and...

MEXDC drives development of the Data Center industry

MEXDC drives development of the Data Center industry

Mexico. In a world where technology is advancing by leaps and bounds, the inclusion of women in STEM (science, technology, engineering and mathematics) careers is crucial for sustainable and...

CALA Awards opens applications for AV and lighting projects

CALA Awards opens applications for AV and lighting projects

Latin America. Within the framework of IntegraTec Mexico, AVI Latin America announces that the call for the CALA AWARDS 2025, awards that celebrate excellence in technological integration in Latin...

Star Line Music supports your events in Peru with DAS Audio

Star Line Music supports your events in Peru with DAS Audio

Peru. Star Line Music, with a history of more than 27 years in the Peruvian market, became the official distributor of DAS Audio in the Andean nation after the pandemic. The sound systems they...

Yamaki opens showroom for the events industry

Yamaki opens showroom for the events industry

Colombia. Yamaki presented its new showroom in Bogotá, a space designed for event producers, rental companies, auditoriums, churches and professional artists to experience live the most advanced...

Dolby and Christie to unveil laser projection system

Dolby and Christie to unveil laser projection system

Latin America. Christie and Dolby Laboratories renewed their collaboration to develop the next generation of Dolby Vision laser projection systems, which will begin to be implemented in cinemas from...

Suscribase Gratis
Remember Me
SUBSCRIBE TO OUR ENGLISH NEWSLETTER
DO YOU NEED A SERVICE OR PRODUCT QUOTE?
LATEST INTERVIEWS
SITE SPONSORS










LATEST NEWSLETTER
Ultimo Info-Boletin